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Steve’s Book Roundup 2/1/2021

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I write a lot and have quite a few books.  So now and then I post a roundup of them for interested parties!

The Way With Worlds Series

This is what I do a lot of – writing on worldbuilding!.  You can find all of my books at www.WayWithWorlds.com! 

The core books of the series will help you get going:

  • Way With Worlds Book 1 – Discusses my philosophy of worldbuilding and world creation essentials.
  • Way With Worlds Book 2 – Looks at common subjects of worldbuilding like conflicts in your setting, skills for being a good worldbuilder, and more!

When you need to focus on specifics of worldbuilding, I have an ever-growing series of deep dive minibooks.  Each provides fifty questions with additional exercises and ideas to help you focus on one subject important to you!

The current subjects are:

Fiction

Take a typical fantasy world – and then let it evolve into the information age.  Welcome to the solar system of Avenoth, where gods use email, demons were banished to a distant planet, and science and sorcery fling people across worlds . . .

  • A Bridge To The Quiet Planet – Two future teachers of Techno-Magical safety find trying to earn their credentials hunting odd artifacts backfires when they’re hired to put some back . . . on a planet where gods go to die!
  • A School of Many Futures – The crew is back, and finding having secrets and keeping them isn’t the same thing! Unfortunately they also find “very normal” is a cover for “anything but” . . .

Creativity

I’m the kind of person that studies how creativity works, and I’ve distilled my findings and advice into some helpful books!

  • The Power Of Creative Paths – Explores my theories of the Five Types of Creativity, how you can find yours, and how to expand your creative skills to use more Types of Creativity.
  • Agile Creativity – I take the Agile Manifesto, a guide to adaptable project development, and show how it can help creatives improve their work – and stay organized without being overwhelmed.
  • The Art of The Brainstorm Book – A quick guide to using a simple notebook to improve brainstorming, reduce the stress around having new ideas, and prioritize your latest inspirations.
  • Chance’s Muse – I take everything I learned at Seventh Sanctum and my love of random tables and charts and detail how randomness can produce inspiration!

Careers

Being a “Professional Geek” is what I do – I turned my interests into a career and have been doing my best to turn that into advice.  The following books are my ways of helping out!

  • Fan To Pro – My “flagship” book on using hobbies and interests in your career – and not always in ways you’d think!
  • Skill Portability – A quick guide to how to move skills from one job to another, or even from hobbies into your job.  Try out my “DARE” system and asses your abilities!
  • Resume Plus – A guide to jazzing up a resume, sometimes to extreme measures.
  • Epic Resume Go! – Make a resume a creative act so it’s both better and more enjoyable to make!
  • Quest For Employment – Where I distill down my job search experiences and ways to take the search further.
  • Cosplay, Costuming, and Careers – An interview-driven book about ways to leverage cosplay interests to help your career!
  • Fanart, Fanartists, and Careers – My second interview-driven book about ways to leverage fanart to help your career!
  • Convention Career Connection – A system for coming up with good career panels for conventions!

Culture

  • Her Eternal Moonlight – My co-author Bonnie and I analyze the impact Sailor Moon had on women’s lives when it first came to North America.  Based on a series of interviews, there’s a lot to analyze here, and surprisingly consistent themes . . .

My Sites

The Tower of Babbling

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

The Attention Economy is everywhere. Hits on social media sell ad space. Pundits make stupid statements to get hits and rile voters. Everything is about getting us to look, click, and of course, serve up a few ads or maybe get a donation or sale out of us. The Attention Economy’s architects built it to use us, not serve us.

The result is a pile of data analysis, affiliated companies, shadowy agreements, and optimization. This Rube Goldberg device of attention extraction serves those wanting to make even more money and the few who can get in on the deal. It’s a meaningless edifice for most of us. There’s no there there, just people selling things through ads or wanting to get us to vote in anger.

The pinnacle of this is NFTS, where people burn up the planet to tag ugly art as theirs in what is obviousy a scam and money laundering scheme. There’s no meaning, just people insisting there is until the game of musical chairs catches fires.

Lately, I’ve been digging through old indie radio shows, some going back to the ’80s. There’s music I’ve never heard before and will likely never hear since. There’s witty commentary on the time that’s only more poignant. It’s all so personal, so real, so meaningful to the people at the time – listening to these shows, I felt the enthusiasm so strongly, an enthusiasm I missed.

That enthusiasm, that meaning came from the strong personal feel of the indie music, the skits, and the host’s passion. That connection is too rare in the attention economy. It’s hard to love something when you have to pander to the algorithm, jump on the latest trend, or spew the latest jargon just to get seen. You have to be meaningless to get the attention for things with meaning, and it’s maddening.

Throughout the pandemic, I’ve found myself engaging in what’s meaningful to me. Joining activist groups that do things. Engaging with meditative practice more strongly to understand myself. Working on a job that lets me actually do good things. I think this focus wasn’t just due to the pandemic itself, but necessary to keep myself together in the mess of the Attention Economy.

Many of us hope to slow, dissemble, or change the bizarre media mess we’re dealing with. I have some hope for regulation and great hope for engaged citizens. But one thing I can say is we need to focus on ourselves and find what we care about first. That gives you the grounding you need to do the right things – and not get swept away in the latest mathematically calculated fad or outrage.

I want to be as deep into something real as old radio show hosts were into psychobilly from Arkansas or early techno.  Maybe by being better grounded, I can help others find meaning as well.

Steven Savage

The Writer’s Game: The DeathSpank Series

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

If the title concerns you, the DeathSpank series are a trio of comedy action RPGs from Hothead Games.  You can stop worrying about the name.

Starting in 2010, this series follows the adventures of DeathSpank, a muscley but vacant hero in the vein of The Tick.  Through three games (the titular first one, Thongs of Virtue, and The Baconing), our sword-swinging protagonist travels a colorful world to smite evil and recover magical artifacts.  It has all the trappings expected of a fantasy action RPG – equipment, button-mashing combat, quests – while parodying the genre.

The genre, a staple of video games, had plenty to parody.  Overblown magical weapons, senseless side quests, post-apocalyptic tropes, strange artifacts were all targets for DeathSpank.  I can still remember laughing at the overdone reveal of a magical sword or seeing the realm of the gods as a walled community of snobs.

Comedy is tricky no matter the media.  DeathSpank provides us lessons we can use in other media, even if you find the title questionable.  There are lessons for writers in this series, especially writers of comedy.

Get The Foundation Right

DeathSpank was a parody of games, but it was a game.  The monster-bashing was solid, there were interesting environments to explore, and it was fun to play.  The authors could have made a serious game on the DeathSpank engine, but chose parody.

Fortunately, the authors deiced to be hilarious.

This is a reminder to authors writing comedy that you’re still doing writing.  Much as DeathSpank had the mechanics of the game right, your novel or comic needs to have the right pacing, language, etc.  If you want to write comedy, be a good writer.

Had DeathSpank not had good gameplay, not as many people would have stuck with the series to enjoy the comedy.

Actually Be Funny

DeathSpank had plenty to make fun of – fantasy RPG Action games are both familiar and have plenty to mock.  The crew didn’t just poke a few things and call it a day; they worked hard to make you laugh.

The voice actor for DeathSpank (the character) was hilariously overdone.  The genre’s common devolution into “sidequests” is roundly mocked.  The dialogue is often plain funny, even when the hero talks to a cow or his evil Anti-self.  The comedy writing and acting were authentically good and extremely well written.

If you’re writing comedy, you have to put the work in – and as many of us know, it’s not easy.  Even when you have obvious targets as DeathSpank did, you still should put in the work.  DeathSpank was well-written enough I could have seen it being a film or short-run TV show.

Know Your Subject

The reason DeathSpank had me laughing as I battled monsters was that the creators clearly knew the genre they mocked.  As a fan of fantasy RPGs and fantasy in general, I recognized what they were parodying.  I was the target audience (and still am).

Thus, it’s clear the people behind DeathSpank knew what they were making fun of.  It wasn’t shallow humor, there were a few deep cuts, as well as many medium ones as it were.  Simply put, no one that didn’t know the genre well could have made this game.

This is a reminder for writers that you have to know any subject you’re parodyiny.  If you don’t – or think you do and don’t – your work will suffer for it.  Come to think of it, so will your audience.

There may be a time to look at something and realize you can’t mock it, no matter your writing skills.

Love Your Subject

DeathSpank was there to mock, but it was also  a labor of love.  You don’t craft something this funny without caring about what you do.  Much as The Venture Brothers was both parody and homage, DeathSpank got close to that line.

The game was funny, yes but done with affection.  Time was lavished on the dialogue, humorous environments, and game design.  There is craftsmanship in this game, even if you teleport via magical outhouses (no, really).

Caring about a subject means you know it well enough to parody it.  That intimacy also means you’ll have love and sympathy for the subject matter, saving you from the traps of mean-spiritedness.  Instead, your humor will be true as you know the subject so well.


The audience will respond to that love, as their laughter comes from knowing the subject as well as you.

In Conclusion

DeathSpank managed to be a comedy game that was both comedy and game.  The result was a fun, funny experience that reminds us comedy lies on a foundation of knowing the subjects and the mechanics of your craft. 

Lesson’s For Writers

  • Solid writing matters no matter the genre.
  • If you’re trying to be funny, don’t hold back even if the target is easy.  Put in the work.
  • Know the subject you’re parodying.  If you don’t, focus on something you do know.
  • Care about the subject you’re parodying.  It helps you be funny, leads to good craftsmanship, and saves you from mean-spiritedness.

Steven Savage