media

Dada And Empty Media

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Though i don’t discuss it as much here, I have an interest in the art movement of Surrealism and its origins. Surrealism is fascinating in its many manifestations, it intersects with politics and culture movements, and the many personalities and people are compelling. As I continue to learn about it, I keep finding new lessons, one of which I want to share here.

Surrealism’s origins are rooted in Dada, an art movement that appeared post World War I that was mistrustful of the supposed age of reason and the horrors of the time. Dada appeared to be art, in form of paintings or performances and such, but was intentionally nonsensical. Today it may seem amusing, but at the time people found it infuriating – imagine giving a speech made of nonsense words and angry folk rioting.

Dada laid the groundwork for Surrealism, something else I may discuss, but what fascinated me most about Dada beyond that was that it used the framework of existing media and filled it with nonsense. What an idea that the container of art can be abstracted from any meaningful content! Perhaps its easy to understand people angered by Dada, confronted with a play or a song or a painting that had the form of work but was filled with nothing

You can remove the art from art but still have a form we associate with art.

That idea has sat with me for some time since I had it, but I hadn’t done much with it – as my interests were in Surrealism and how the artistic framework was a vehicle for unconscious, almost spiritual expression. But lately I thought about Dada using a framework of art filled with nonsense and internet content and what we learn from it.

It’s hard to find anyone who won’t complain about nonsense, slop, propaganda, and low-effort content on the internet. I certainly do as any of my regular readers knows, and to my gratitude, tolerate. I’m sure you’re also used to encountering and complaining of such things.

We wonder how people can take such things seriously. How they can fall for propaganda or low-info listicles and the like? Well that’s because, beyond our vulnerabilities or ability to enjoy trash, it comes in the form of information. Internet dross has the shape of information or art or spiritual insight even if it’s filled with B.S.

No different than how Dada took the form of art and blew people’s minds by delivering rampant nonsense.

Think about how easily technology lets us have the form of something useful. It’s easy to spin up a website or a book or a video, pour anything into premade patterns, even go to technology or freelancers to pour something into whatever information container we chose. We have the tools to make nothing look like something, to make form so good we easily mistake it for solid value.

And, sometimes, it rubs us the wrong way. We know it looks like information but it’s not. Maybe it’s easier to understand people enraged over Dada, tricked by form. We’re in the Uncanny Valley of Communication just like they were.

This is why the history of art and media matter and why I treasure these rabbit holes I go down. The past has many lessons for the present. Come to think of it, maybe if we pay more attention to the past we’ll have a better present . . . one with not just form but form delivering real meaning and valuable information.

Steven Savage

Where Are All The Superheroes?

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

I’m always thinking about technology, culture, and organization, because it’s kind of my job. Pop culture falls under that purview because it tells us a lot about how we think – or what we don’t think about. Let’s take a break from my recent deep dives into something fun.

Let’s talk Superheroes.

I love superhero stories as they’re a kind of metagenre. Where else can an alien, a detective, and a half-goddess team up to fight a megalomaniacal billionaire? Superhero stories are a chance to tell tales where characters and genres collide. Despite the oversaturation in our media, I feel we haven’t really learned what we can do with superhero stories (which may be a separate column).

But one common element to superhero stories is transformation via trauma. A bad trip down an alley may inspire an orphan to become a caped avenger. An inventor’s efforts to deal with heart damage inspires an armored suit to fight evil. Lots of people get exposed to radiation and chemicals and magic and get powers. Mutants pop up in an evolving humanity, and an entire short-lived DC comics story dealt with humans put through a horrific obstacle courses so the few survivors would activate metahuman potential. https://en.wikipedia.org/wiki/Blasters_(comics)

Trauma is a big part of superhero stories. Only, if that’s the case in a superhero setting, and said setting is a lot like ours, I’d expect a lot more superheroes.

Only one bereaved child decided to go on a crime-fighting crusade in a world of super-technology and succeeded?

How many traumatic deaths, how many wars and executions, would result in the deceased making deals with supernatural entities, or returning and spirits of vengeance, or whatever?

Shouldn’t there be a lot of inventors out there crafting all sorts of wild stuff that’s superhero-worthy? Wouldn’t startups be kind of a nightmare as every fifth person is secretly making a battlesuit instead of whatever useless product they’re working on.

With all the radiation, microplastics, and weird chemicals in our environment shouldn’t we have legions of mutants and superhumans? For that matter how many drugs (legal or illegal) might trigger superpowers? You go to the doctor, get a prescription, and discover that your cholesterol drug gives you super strength.

And that’s not dealing with aliens and supernatural creatures. But they’d probably notice the planet with so many costumed weirdos running around.

Most superhero tales have so much dense continuity, so many ideas slapped together, that the worlds they’re set in should be awash in superhumans. They’re just not because hey, then they’re not that distinct in a setting where they’re supposed to be distinct. Though My Hero Academia sort of goes there.

This issue of trauma, power, and transformation is something I think superhero stories can explore more. When power is accessible, or when the events that can lead one to develop it or seek it are common, what happens to the world? If you’re going to slam so many genres together, how long until there’s nothing recognizable in the world you’ve created?

Though, sadly, we probably won’t explore this as much for awhile. Superhero stuff seems a bit tapped out thanks to endless Marvel movies. But maybe at some point we’ll ask about power, causality, and what keeps a setting of superhumans from being overloaded – or perhaps asking what happens as it is . . .

Steven Savage

Six Further Thoughts On Not Being Serious

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

I’m still processing my thoughts over Ted Giola’s post about how the US and maybe Western society isn’t serious anymore. It’s all watered down, performative, targeted, and just weirdly empty. When I posted my own blog post on the subject, my friends and readers had feedback. I figure I’d round that up – and these might become columns on their own.

So to reiterate, Giola felt our culture lacked seriousness, and I agreed – we’re doing things that aren’t what they say we are, in a performative existence. Combined with capitalism which rewards knowing how to Push The Money Button, and it’s a toxic mix.

So here’s a few things I wanted to explore after hearing from people:

Good Unseriousness: Is it always good to be serious, can’t we be funny or have fun? I’d say that you can be funny and serious (George Carlin, Terry Pratchett), and sometimes the best funny is one with a grounding that is serious and all-too real. I’d also add that FUN might not be serious but it’s also not a lack of seriousness – what Giola targets is a deliberate unseriousness.

Lack of Agency: How often do we lack Agency, so why be serious in the first place? This is a fascinating thought because I “get it” instinctively – and I think there’s something true here. If you feel helpless, all the “serious people” are screwing around and lying, does anything matter? Then you end up with a kind of toxic, spreading, unseriousness.

Curation: We’re not trained in curating, checking facts, and so on. This leaves us to an onslaught of bullshit from politicians, mediocre media, and more. Even if we want to deal with things seriously, it’s hard to sort it out – and exhausting. Which leads to Lack of Agency . . .

Speed: Our culture and time move so fast that it’s hard to keep up with anything. We’ve not just got a lot of media and news, it’s all coming fast. It’s easy to get caught up in something unserious, it keeps us from cultivating, and maybe at some point we just give up. It’s also hard to pay attention to what’s right in front of us.

Misuse of Unseriousness: We’re also used to a very bullying culture that chides people for not being able to take jokes that are just disguised abuse. “Can’t you take a joke” is endemic in our culture, and horrible things can be both serious and not at the same time. This just distorts what’s serious and not – and maybe even the manipulators aren’t sure anymore. The Serious and Unserious become harder to separate.

Fear: This is a conclusion of my own – unseriousness for all its problems also can be due to fear. People are afraid to confront our climate issues. A second generation millionaire faces the fact they might only be there due to birth, not any skill. Politics is insanely complex. Confronting the world we live in is hard and unseriousness is both a tool to cover up your failings but also a possible reaction. Many a political figure has a crackling fear running beneath their worlds, you can feel it, but it seems they can’t.

So those are a few thoughts from some great dialog with friends and readers – and hopefully food for thought for you. I honestly do think we’re in a crisis of seriousness in the world, and its making everything worse. But it’s not as simple as it may seem, so exploring it, well, is serious business.

Steven Savage