culture

But What If It Wasn’t Worth It?

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

As I’ve mentioned a few times here, a friend once said she didn’t think any tech “innovation” in the last 15 years was worth it overall. Admittedly considering some of the innovations are supermassive web frameworks and electric vehicles that inadvertently catch fire, I sorta get that. But this brings up a larger question.

What is it we’re used to today that actually isn’t worth it?

This makes me think of my interest in Chinese history and philosophy. Watching Taoists and Confucians discuss good government, it was in context of feudalism, so it was “what if we feudalismed right?” Like maybe feudalism was part of the problem, even if some Taoists had a kind of “Anarcho-feudalism” in mind.

So how much of what we have today we think of is perfectly fine and normal is a bad idea we’ll need to get over? And I’m not talking the usual critiques of things like AI (which is easy), but other technologies and policies and the like.

Focusing America on the automobile is one that I think is a big mistake, even if I like having one. It’s led to racist zoning, sprawling suburbs, loss of public transportation, pollution, and the like. I’m not saying automobiles are bad, but man did we overdo it for various reasons.

Try to imagine if that hadn’t happened.

I’ve also wondered about the impact of parts of pop culture. Things I loved in my youth have become sprawling, money-sucking mega-franchises. Was it large company consolidation that we needed to avoid? Something else? Why is it now when I hear of anything Star Wars, Star Trek, or Marvel I just assume I won’t like it?

What was missed because we made another Star Trek?

In another case I definitely felt that too much of our world got driven by graphics. Systems get bigger, cards get larger, all so we can watch web pages that look like movies and play games that don’t look like games. A few years ago I found Team Fortress 2 (a fave of mine for ages) still runs off of CPUs and looks fine in its stylized way.

How many resources got poured into pretty? Maybe we just didn’t need as much photorealism?

I’ve also questioned office software. I mean I self-publish out of LibreOffice, which is basically Microsoft Word ten years ago. I’ve worked with tools that store enormous amounts of data no one cares about. Look I’m fine with graphics software getting more powerful (albeit again, needing the hardware) but otherwise? Not sure.

I’d like something that does its job with options, not has something that does so much more than anyone needs. Or maybe some software can be more modular.

Try asking what we’re used to now that kind of has flaws is something we didn’t need or needed less of?

Steven Savage

Different Times, Different Mes

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

One of my obsessions for while has been to ask what the world could be like if our combination of technology and culture had taken different directions. In 2024 a friend said that it felt like nothing new or really good had been invented in 15 years, especially internet-wise. That has had me reviewing all the different choices and events that have led us to where we are now from a technical-cultural standpoint, and how it might be better.

So I started reflecting and asking what did I want to see? Where could things have gone different – and gone better?

That led me to some speculations of course, such as if there had been more social media regulation, or if certain technologies had becom popular at different times. But know what really got interesting?

Asking who I’d be if things had been different in the worlds of technology and culture.

This started by me imagining a world where the internet B.S. of today had never arrived – something I may write about. I tried to imagine myself in a world with different technologies, a world more environmentally conscious, a world where we weren’t doomscrolling. It was essentially writing speculative fiction in my head, but the mental exercise hit hard.

I can see how in some cases I’d have been the exact same kind of person, just using different technologies. I could see how I’d also be different a few twists and turns in the economy and I’d never have become a programmer. I could see how I’d also be the same- because I in many cases I’d still be a Project Manager, even in a semi-Solarpunk, not-quite-utopia I imagined.

Relating a possible future to a possible me, helped me grasp such trends and potentials much better.

This led me to another speculation – I began asking about what my life would be like in the case of particular technological divergences. That has proven to be a great way to understand our world the way it is and what it could be?

What if Work from Home had come early (and believe me it was seeded earlier than you think)? Or phone companies had seen things like AOL and come up with competition? What about prefab homes returning? What would it take to have technologies be different, culture be different, and what would I experience?

I find that idea of imagining “being there” really helped me understand impacts – and unintended impacts. It also helped me understand a few things about myself – such as my ability to get enthused about cool stuff even if it is kind of dumb.

I may actually write some of these ideas up and make a series of it. What can I speculate en and learn from using my knowledge of technology and history? What can I share – and what can we discuss – about possible worlds to understand this one.

But if I write it or not, I want you give it a shot. Ask about “historical divergences” you can imagine, and who you’d be if they happened. Especially if it’s about a better world – since you might be surprised at who you are even in a more ideal place and time.

Steven Savage

Superman 2025: Take All The Swings

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

(Yep, I’m taking a break from talking about technology to talk about culture, which I probably should do more . . .)

Superman 2025 was something I wasn’t enthused about, since I’m sort of tired of superhero blockbusters. Then I saw the commercials with Krypto the Superdog and had to admit I was going to see it because that was pretty bold. Superman, whatever it would be, clearly wasn’t as ground through the marketing mill as many of the recent Marvel movies. Again, dog in a cape.

And after seeing Superman I am pleased to say it is not only good, it is one of the most, if not the most comic book movie I’ve seen. It is, much like it’s titular main character, absolutely honest about what it is, without shame or irony – but also without apology. Superman is about a man who’s just trying to be a good guy, and it’s a film trying to be a good comic book movie.

The film opens both in media res but in universe res, with a quick text intro that manages to recap the setting in a few sentences then Superman shows up with the stakes already high. It tells you to hold on to your seats, because the film isn’t really going to hold your hand but just dive right in and keep going. This means we are spared the inevitable origin story, and the film also trusts you to pick up the details even if you’re not deep into comics lore (and there’s just enough the uninformed can get most of it).

And the comics elements come thick and fast and never let up. The movie takes a lot of swings with DC continuity, and the various characters and elements of the world keep coming until over halfway into the film. The film doesn’t hit out of the park every time, to continue the swing metaphor, but it doesn’t miss anything either. Some elements of this huge comic book movie work better or are done better than others, but nothing fails – and when the story connects it connects.

There is a lot. There are multiple superheroes. There is a kaiju. There is politics. There is romance. There are twists. There are robots. There is, once again, a superpowered dog. There’s also a lot that may seem painfully timely, but some of it is only timely because we have to keep relearning certain lessons.

This alchemical mix of comic book elements could not have worked without an absolutely stellar cast. Every single member of the cast is on, handling their roles with sincerity and enthusiasm and that sells all the dense elements of the movie. David Corenswet totally steps into the role of Superman/Clark Kent, he lives it. Rachel Brosnan’s Lois Lane is strong, passionate, undaunted, and there’s a bit of her backstory that she brings to life (no spoilers). Nicholas Hoult’s Lex Luthor glowers and chews scenery as a charismatic utter a-hole. Edi Gathegi as Mister Terrific is so good that he’s a man playing the protagonist in another protagonist’s movies. I could go on, but they’re all good.

Wait, I have to shout out Neva Howell and Pruitt Taylor Vince and the Kents, who are one of the most believable takes on the couple I’ve seen. One moment they’re funny, the other they’re deep, and in all cases they’re parents. OK I’m done.

Superman 2025 has the right people to pull off all of the wild elements it tries to incorporate, and that’s why it does it successfully, if not perfectly. The film can be slightly uneven, because comic books themselves can swing between the fantastic and the mundane, but it never loses balance. Like a juggler, it keeps a lot in the air, motion itself being fuel for the spectacle.

I am still tired of big superhero blockbusters and huge big-budget movies dominating culture. But Superman felt so honest, so sincere, it was a breath of fresh air. It was a vision of Superman that felt true to the character and the ideas behind him, and it’s worth seeing – and learning from.

Get the right people, take the swing, do the right thing.

Steven Savage