Why I Wrote It: Sex and Worldbuilding

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

I’ve decided to take the time to discuss just why I’ve written some of my books. I figure every week or every other week I’ll talk about just what I did, why I did it, and what I learned.

Sex and Worldbuilding was my first “Minibook” in the Way With Worlds series. It originated in a series of interesting events.

The story of my Way With World minibooks is complicated. They originated with an idea of doing small books on specific subjects to tie into the core books. They would be almost supplements, exploring a few areas I wanted to help people with more, using a coaching approach. Then I found people really liked them and I liked writing them, and a quick exploration became it’s own project.

But let’s talk the first book, Sex and Worldbuilding, and why I wrote it. That is pretty simple.

  • Fictional worlds often were very un-creative about sex, merely mapping existing cultures, ideas, and biologies to an imaginary setting.
  • Too much writing about sex in fictional world ignored what it was and how it could touch on every aspect of life. Weddings, child-rearing, contraception, all come into play once you start thinking about sex and reproduction.
  • A lot of discussion on sex in fiction didn’t focus on worldbuilding.
  • We get embarrassed talking about sex.

This set the stage for what I wanted to write. I would need to cover a broad amount of things like marriage and gestation. I would also need to make it less embarrassing or prurient.

In short, I had to write about sex, reproduction, and culture and make it really calm, rational, and even boring. I realized that if I didn’t do this, people would see “sex” not “worldbuilding.” Setting that tone early helped me write a good book.

At that point, it was pretty easy to come up with the proper coaching questions: I looked at important areas to discuss about sex and reproduction, and areas that were often ignored. This let me get a pretty good amount of questions and produce a good book.

This is really one of my prides as a book. I covered a lot of important areas, I did it in a tone that didn’t distract, and I helped people out.

But really, it all goes back to finding the way to discuss an important subject and focus on often ignored issues.

Steven Savage

Steve’s Update 1/13/2019

(This column is posted at www.StevenSavage.com.  Find out more at my newsletter.)

Let’s get to our first update for the new year!

So what have I done since last time?

  • Way With Worlds: The Gods and Deities Book is at the editor. It’s been a busy time, so it’s a bit delayed.
  • A School Of Many Futures: Chapter 9 is being worked on, I shaved off an unneeded chapter, and I’ve got some great plot improvements! This one is going to be a doozy!
  • Seventh Sanctum: My new generator, gemstones, is in beta!
  • General: Mostly just post-holiday catch-up

What’s next?

  • Way With Worlds: I’m going to plot out the next book while waiting!
  • A School Of Many Futures: Keep writing. I’m hoping I can get enough velocity going to finish the draft in February.
  • Seventh Sanctum: Finish up the new generator and return to building the new backend for end of 2020
  • Other: Nothing right now.

Steven Savage

Resting In The Palm Of Your Hand

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Several times when I’ve read about psychology, philosophy, and meditation I’ve seen people go about how you can’t really “grasp” things. You can’t truly hold an emotion because you live it. You can’t truly sieze on peace of mind because it disrupts piece of mind. These are things you experience, but they can’t be put into a box.

This is very frustrating to many people (at times myself) because we so want to grasp the idea, the feeling, the mental state. As soon as we do it’s gone.

This I have found is true of writing as well.

Me, I’m a planner, but as many of you have read over the years, when I overplann my work falls apart. I can have everything outlined and linear, have a schedule, and at that moment I am the most vulnerable. At some point you have so much plan and schedule, you don’t have a book or a story – the plan predomnates, the schedule dominates.

When I back off, I’m suddenly more in touch with my work. I feel it because I’m not trying to control it.

When I back off, the ideas flow. I’ve loosened the flow of ideas as opposed to immediately channeling them.

As I’ve said earlier, I think it’s important for an author (or any artist) to stay in touch with their work. From creating it to editing it, rereading it to blue-sky dreaming, it helps to stay in touch. It ensures it’s a part of you, not something you rip out of yourself and throw into a plan.

We must touch our work, but not sieze it so powerfully as to loose it. Instead, it’s like letting something rest in the palm of your hand – it’s there, you’re in contact with it, but you’re letting it be.

It may be painful and tear through us. It may be something that makes us think graceful thoughts or feel subtle emotions. But we need to let our creativity be itself enough that we can manifest it as books, songs, games, and more.

Steven Savage