Creativity

Alien August at Sci Fi Ideas!

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DNA

(This came from an acquaintance who runs a website for sf writers, SciFiIdeas – and its about creating new aliens, I figure it’s right up the alley of folks here! – Steve)

Like sci-fi? Like aliens? Like creative ideas? This is an open invitation for writers, artists, and all creative types to take part in the Alien August special event at scifiideas.com.

For those of you who don’t already know about SciFi Ideas and what we do, we’re a blog specializing in providing ideas and inspiration to science fiction writers. We want people to create great science fiction, and we believe that sharing ideas is the best way to promote creativity in the genre.

Throughout the month of August, we’ll be focusing on one specific aspect of science fiction: Aliens!

We’ll be posting lots of new “alien profiles” detailing unique alien cultures, sharing artwork by various concept artists, discussing the many alien species that already populate the world of science fiction, and hopefully bringing you some original short stories too. Even our weekly “story starting point” feature will be taking on a distinct alien flavour, encouraging you all to write short stories about aliens.

Most importantly, we’ll be encouraging our readers share some of their own alien ideas. And there’s even a prize for the most creative, original, and interesting idea!

The event will take place on the SciFi Ideas website (scifiideas.com) throughout August.

Full details of the alien profile writing competition can be found here. http://www.scifiideas.com/news/alien-august-competition-2014/

There are also lots more details about the event on the SciFi Ideas website. http://www.scifiideas.com/news/alien-august-back/

Also, we’re always looking for fresh content, so if you’d like to write a guest article for us during Alien August, perhaps as a way of promoting your own blog, book, or creative project, please feel free to get in touch! http://www.scifiideas.com/contact/

Even if you don’t plan to share any of your own alien ideas, it’s still worthwhile checking out the SciFi Ideas website during the event and exploring all the new content we’ll be posting. Who knows, you might just be inspired. See you there!

Mark Ball
Mark Ball is a professional writer, semi-professional geek, and amateur podcaster. He is the founder and editor in chief of scifiideas.com.

Way With Worlds – More On Main Characters

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Crowd

As a worldbuilder, your world is a vast, interlinked creation, it stands there whirling in your head or your codebase or your notes. However few people want to hear the story of your world, they want to hear the story of people in it. Indeed there’s a chance your world came about out of a desire to tell a character’s story.

Either way, at some point, you have to tell a tale about what’s going on. A tale requires someone or someones to tell the tale about. In short, no matter your goals in making the world, you have to settle down and tell the stories in it.

This means a main character or characters. It may seem odd to discuss this since so many of us have our main characters in mind, but it’s not as simple as it may seem. I wanted to return to some of my previous discussion and go over main characters.

What Is A Main Character or Characters?

As I’ve stated earlier, a main characters are like lenses on a world. It is through them that people experience your setting, including the characters themselves. The viewpoints of these characters are gateways to understanding what’s going on and experiencing it.

I find this perspective very helpful because:

  1. It makes you immediately think of a focus for your storytelling, gamebuilding, etc.
  2. It gives you someone you and your audience can relate to and helps you (and them) develop empathy and connection. This is necessary to experience the story and the world.
  3.  It helps you do even more worldbuilding by climbing inside someone’s head and seeing how things look. You don’t just walk a mile in someone’s shoes, you walk that mile in their mind.
  4. It helps you admit you can’t write or tell everything.

Now who is your main character?  Well, that may be more challenging than you think.

Zooming In

As noted, the truth of a lot of writing is that many games, tales, and so on are created with a given main character or characters in mind. People already have their characters chosen, and some fleshed out, and the world is created to let their stories come to life. The worldbuilding may go far beyond them and make their stories only one of many to be told (which I think should be the case), but it often starts with them.

Of course you may think you know your main characters since you started with them – but this isn’t always the case. As you build your setting, there may be better choices. Your hero’s tale may not be as interesting as her sidekick, the villain’s perspective turns out to be heroicc, and that throawaway character is actually more relatable. A good look at “Rozencrantz and Guildenstern are Dead” is a fine example of perspective switching – and one I agree with as the cast of ‘Hamlet’ is a bunch of basket cases.

The main character you started with may not be the one you need.

Or maybe you really build a world with so much going on and now you want to tell the tales and you aren’t sure where to start. You’ve got a potential cast of hundreds, or you have a world so detailed you could just whip up someone new to tell your stories. Where do you start?

If you have to evaluate a current main character for a demotion, a side character for a promotion, or figure where to start, I find these are good rules:

  1. A good main character or characters is in position for enough of the story to be told from their viewpoint (or viewpoints). They don’t have to see everything, but enough to tell the story you want to tell.
  2. A good main character knows enough for the audience to understand what’s going on via their perspective – of course it doesn’t have to be everything or even the majority of things. Jut enough.
  3. A good main character is relate-able for the audience. They don’t have to be like the audience, just someone the audience “gets”. A good writer/game designer/etc can make characters that are vastly different than the target audience but are still characters people understand.

Use this checklist to evaluate your main character or characters for the story you’re telling. You just might be surprised at who can tell your tale and how – and who can’t.

More Thoughts on Characters Before The World

If you’re the kind of person who created may characters before the setting (as happens the majority of the time in my opinion), then the checklist above is quite important. There’s good chance the world you made has gotten far more complex and populous and your story might not be best served by the perspective you wanted initially.

However, an additional danger you face is that our world may not be fleshed out enough in that you only created enough to tell the tale of your original chosen character or characters. You’ve got enough to tell their story, but their story is all that’s going on – the rest of the setting is just a cardboard cutout, a Potemkin universe.

Frankly, this happens a lot, as I’m sure we’re all aware. There’s a story, there’s a main character, but it’s happening a peculiarly dead setting, the story equivalent of on-rails video games. It may even be a decent or a good story – but it really doesn’t involve much worldbuilding.

I find a great way to avoid this is a simple rule – do you know your world well enough that, if all your main characters couldn’t be written for some reason, you have characters or potential characters that could tell interesting tales. They may not be the ones you wanted, but they could still be told. That’s always a good measure of the world’s completeness – especially if you started with specific main characters in mind.

We All Want To Be Someone

So when you tell your tales, sit down and make sure you’ve got the right perspective or perspectives. You build a huge world and you want to make it work, make people experience it.

If you can’t find the right characters, well, create some more! After all if you build a good setting, it can produce even more ways to tell the tale there . . .

– Steven Savage

Steven Savage is a Geek 2.0 writer, speaker, blogger, and job coach.  He blogs on careers at http://www.musehack.com/, publishes books on career and culture at http://www.informotron.com/, and does a site of creative tools at http://www.seventhsanctum.com/. He can be reached at https://www.stevensavage.com/.

Geek As Citizen: Boost The Signal

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Direction Sign

“Ho ho ho. Isn’t it nice we hate the same things?”

Principal Skinner, “Principal Charming” Simpsons episode 7-15

Complaining about things is a popular past-time for people. We complain about movies, about music, about comics, about television, about politics. Complaining is practically a cause for some people – in fact, a few of them made it into a career, disguising it as punditry or critique.

We geeks do like to complain. We’re passionate about what we love, do, read, speak on, and so on. That, in turn, means we may be critical of things for the very reasons of that passion. The problem is complaining doesn’t address what we’re critical of.

Complaining doesn’t solve things. Saying how bad a cold is doesn’t make it go away, expressing annoyance about a tacky shirt doesn’t make it change its color, and complaining about a bad movie means it’s still a pile of dreck. Complaining at its best warns people off of something – and possibly warns them off of you as you’re a jerk because you won’t shut up.

Too much complaining, even for legitimate reasons can backfire. This is what I’ve head referred to as the “bigger a-hole” theory – talking all the time how bad something makes you look bad. If you look bad, even your legitimate complaints are disregarded because you’re the bigger a-hole and people assume your legitimate concerns originate from your own being a jerk.

Sometimes the messenger is the message, like it or not.

Now I’m all for complaining, or at least tolerant of it (I do it myself), but when it comes down to it, if we want better movies, technology, comics, and anything else, we’ve got to do something else. Complaining solves little.

So when I asked some of the Crossroads Alpha gang what we could do different, the best action became obvious.

Want something good? Boost The Signal.

Boost The Signal (Insert “Can’t Stop The Signal Joke” Yourself)

Complaining as noted does little – at best it warns and at worse it annoys. Complaining rarely results in better works, better tech, and better ideas.

But what we can do is boost people’s awareness of the good things out there, of the wonderful things we find, of the things people should say attention to.

People have a choice in how they spend their time, their money, and so on. When we make them aware of good things, from a friend’s recommendation to writing a review of something great for a major website, we’re making people aware.  When they’re aware, they are more likely to focus on the things we’re promoting.

In short, let’s spend less time complaining and more time making people aware of the good things so they choose them, or helping out those promoting the good things. Those good things are out there, but often obscure, unknown, disregarded, not understood. We can make people aware, we can do our part to get them out there – we Boost The Signal

Its also better than criticism. Criticism as noted can backfire, and I’d also say criticism is something we’re awful numb too. It pours out of TV and talk radio and the like all the time, and most people aren’t good at it.

But how do we Boost the Signal? I’m glad you asked, because over the days to come I’m going to be summing up ideas I found – and wanting to hear about your own.

 

– Steven Savage

Steven Savage is a Geek 2.0 writer, speaker, blogger, and job coach.  He blogs on careers at http://www.musehack.com/, publishes books on career and culture at http://www.informotron.com/, and does a site of creative tools at http://www.seventhsanctum.com/. He can be reached at https://www.stevensavage.com/.