advice

All My Good Bad Influences

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As I edit away on A Bridge To The Quiet Planet, my tale of a techno-magical world and an interplanetary road trip involving holy books, I am busy finding out how I mishandled my good influences.

This is not due to my own genius, this is due to my amazing editor, who I am willing to introduce to anyone who wants to pay her money to edit.  She is fantastic at pointing out flaws in my work, leaving comments, and using search-replace to highlight all my common errors.  Some pages of my book look like a vengeful highlighter achieved sentience and attacked common word combinations it had a grudge against.

Between her feedback and her markup, I began to realize that my major influences were also ones influencing my flaws.  Allow me to explain:

First, there’s a chance if you’re inspired by an author or a creator, you won’t do it quite right.

Second, you may make the same mistakes your inspiration makes – and likely being less polished than they, you’ll make them worse.

Third, your inspirations together may not sit quite right.  You need to find a way to fuse them into a whole.

So what happened with me?  Well my editor noticed passive voice (lots of was), strange asides, weird wordplay, and moments I was abstract from the characters.  Nothing unusual, but then I looked at my inspirations and realized where I’d stumbled.

My core influences are Sir Terry Pratchett, Douglas Adams, and Dave Barry.  If you read my fiction, the inspiration is obvious – I love playing with words, exploring settings, and deconstructing ideas.  Take these trends too far and you end up with infodumps and trying to be too witty.

I was also influenced by anime, with the fantastical elements, fusions of genres, and passion for characterization.  Again, you can take these things too far – it took watching My Hero Academia to realize that I too liked to do giant flashbacks that could be handled better when not animated.

Finally, I love oddball character stuff of all kinds – indeed one sub-theme of A Bridge To The Quiet planet is that it’s basically several parties of unusual personalities having an adventure and colliding with each other.  Its a tale of magic and super-science and demons, but is basically about the people in this world.  You can get distracted by the oddities and details and loose touch with the fact these are people.

So I did too much infodumping, wrong details, wrong approach, and got a bit too full of  myself.  But there’s one more thing I forgot.

I was following several styles – I was not combining them into one.  I was doing a story of intimate character portraits and giant weird worlds, of human eccentricity and complex societies.  There was a feeling of discord, of the two not blending – or of one dominating the other.

In short I took some of my inspirations too far or in the wrong direction – and forgot to find a style that fit to realize all my inspirations.

As you edit your work, look to your inspirations.  Then find out how you might be doing them wrong – or doing them right and not harmonizing them.

-Steven Savage

Sometimes The Best Ambition Is Less Ambition

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Lately, a lot of my friends have been going through “job issues.”  Losing them, not happy with them, being pressured to trade up, and so on.  Listening to them I realized that there’s something important to say:

It’s OK to not have ambitions for a “better” job.

Yes, that’s right it’s me, Mister Geek Job Guru telling you maybe you’d be happier staying where you are, or getting a lower paying job or whatever.  Radical? Unexpected? Extremely un-Steve like?  No, it’s about things more important than getting a “better” job.

The benefits are worth it.  One friend of mine had some health issues, and their job has great benefits, so they’re not planning to move on or up at least for the time being.  This is fine.  If a job gives you benefits like great health, training, etc. it’s perfectly OK not to change.  A job that has good benefits may be worth staying at even if it’s not as high paying or lacks prestige or whatever.

It’s lower stress.  Look moving up is all fine and good, but maybe a job is going to have less chance of killing you.  Fine, worth staying with as opposed to getting a job that will put you in a grave quicker.

It lets you do other things.  Your job or future job may give you more time to socialize, build that art career, take care of kids, whatever.  Perhaps it’s less work or a shorter commute – that’s great.  No need to change.

It’s cheaper to do.  A job you’re at may cost less to commute at, require you to spend less on things like businesswear, and so on.  That’s fine.  Sometimes the money you save beats any pay raise you may have.

It works into your life plans.  You don’t have to go get the biggest title or highest paycheck if the job fits your life goals.  Maybe the job will let you retire quicker but isn’t as prestigious.  Perhaps your current position means you get to stay in a place you like.  That’s fine.

You’re tired of career stuff.  Maybe your current job is a placeholder intentionally, and that’s also fine.  Maybe you got laid off, or are changing careers or just moved.  Good, enjoy your placeholder, maybe set a time to re-review your priorities, and chill out.

It’s a placeholder.  Maybe you’re moving or going back to school or something and the job is there so you can earn money.  Great, don’t worry.

There are many reasons not to look for the better job, the best job, the highest-up job or whatever.  That’s totally fine because your career goals have to serve your life goals.

If you aren’t sure about this, let me remind you that you have permission from me, the guy who writes all sorts of career books to not think about the biggest paycheck or coolest title and just do whatever.

-Steven Savage

Steve’s Writing Advice 8/7/2018

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

I’ve been giving a lot of advice lately on writing, as well as processing some of my most recent experiences. So what I decided to do is write down my basic advice on what to do. I’m keeping it positive, and I hope to update it over time.

What To Write

  • Obviously you should write what you like, but you may want to target to a market.
  • There is almost inevitably a market for something you’ll want to write, but the question is how many sales you want to make (and if you cary).
  • There are inevitably other authors to learn from and study.

How To Write

  • It’s likely if you want to write you already know how. It’s just a matter of getting it into professional shape – or acceptable shape.
  • There are a lot of books on writing efficiently and effectively. Chris Fox’s books are very well regarded.
  • When possible join a writer’s group, meetup, or team to help you out.
  • There’s nothing like practicing, so keep writing!

Editing

  • Have an editor. Period. Pay them or reimburse them somehow.
  • Having beta and pre-readers helps, but an editor is hard to replace (though you may find one with betas and pre-readers)

Book Covers

  • A book cover is a great sales tool, and makes a real difference in if people buy it.
  • Different genres and audiences have different cover expectations.
  • There are various sites and tools that will help you make covers.
  • You can also get premade covers from several sources like www.goonwrite.com.
  • For major, important works you want a professional-level cover.
  • You can learn to do your own covers, but it will take effort if you don’t have much graphic experience. There are online tutorials.

Book Covers – Doing it yourself

  • You can do book covers yourself, as noted, but it takes time and effort to learn.
  • You can get good paid stock art and photos at www.canstockphoto.com and www.shutterstock.com
  • For practice (or to save money) you can get free stock art and photos at www.pixabay.com and www.unsplash.com
  • The Non-designer’s Design Book by Robin Williams is indespensible to learning good design skills. There’s other advice online.

Formats

  • Unless you have a reason (or format) not to, a book should be in ebook format no matter what others you choose.
  • Physical books may or may not interest your audience. It’ll be up to you to decide that.
  • eBooks will usually outsell physical books, but physical books are also great for gifts and holidays.

Formats – eBook

  • eBooks can be formatted by publishing sites (like www.Draft2Digital.com) or on your own.
  • The best tool to format eBooks is www.jutoh.com – it’s powerful enough to write a small book in it.
  • Your formatting will usually be mobipocket (Kindle) or ePub.

Formats – Physical books

  • Physical book formatting is more complicated than eBooks, because you have to worry about page breaks, page facing, and more.
  • Covers will also require careful formatting because of sizing and colors (hint, save in CMYK).
  • You’ll probably have to run a few copies of physical books to ensure they’re set up right.

Formats – Audiobooks

  • Audiobooks are a forgotten format – and if you can get your book into audio format, then you have an edge over others.

Publishing

  • There’s many places to publish, however you want to make sure whatever service you use you end up on www.amazon.com – for obvious reasons.
  • To easily publish on multiple sources, www.Draft2Digital.com is a mainstay.
  • Many services like the above do physical books, and www.Lulu.com

Pricing

  • Pricing affects sales, and cheaper is not always better. People will be concerned that a cheap book isn’t worth it.
  • Most smaller eBooks are best priced at $2.99.
  • Larger books seem to center around $4.99, but some go higher.
  • Physical book pricing is inevitably much higher than eBooks, and often you make more on each physical books.

Promotion – General

  • Good promotion ties into each other. Your books mention your website, your website points to your newsletter, your newsletter mentions new books, new books go on sale, etc.
  • You’ll want to read up on promotion. Though a lot of promotion advice is repetitive, that’s because a lot of it is always new to someone.

Promoting – Website

  • You will want an author’s website, period. You want your own domain, and can set up a website in wordpress.
  • If you’re on Amazon and/or Draft 2 Digital there are author pages there as well. Set them up and link your website back to them and vice versa.
  • Mention your website in all of your books.

Promoting – Social Media

  • Writers should have a Twitter, Facebook presence, and blog to establish a presence. At the very least a blog and twitter is needed.
  • You may only have so much time, so make your best call.
  • Hootsuite is a great way to manage social media.
  • Mention your social media in all of your books.

Promotion – Newsletters

  • Have a newsletter. Www.mailchimp.com is a perfect place to start.
  • Send out your newsletter at least monthly if not more (but I’d avoid more than one a week). Mention books, give samples, etc.
  • If you want to get more people on your newsletter use www.InstaFreebie.com for giveaways or giving out samples.

Marketing – General

  • Marketing is an inevitable part of book writing. You can’t avoid it – but you can outsource it.

Marketing – Amazon

  • If you’re publishing things at Amazon, use Amazon Marketing Services (AMS). It’s pretty much point and pay and (hopefully) sell.
  • If you’re amazon exclusive, you can do book sales and promotions.

Marketing – Reviews

– Steve