Punching A Hole Through My Head Into Myself

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Punching A Hole Through My Head Into Myself

A few of my regular readers know I have side projects under various pen names. We creative types all know the need to be ourselves by being someone else for various financial, marketing, or personal reasons. Sometimes those other selves teach us lessons.

It may surprise some of my readers that I’ve started doing art under one of my pen names. Not book cover art which everyone knows, or my abortive attempts at learning to draw by hand. I’ve gotten into digital art and fusion, with legacies such as midcentury modern (naturally), branding, punk, surrealism, and more. Some of it might find it’s way here, of course, but now it thrives in a more private space.

As I started doing art, I noticed my themes were deep, often disturbing, often profound, and always weird. Very honestly, had you shown this stuff to me a few years ago I wouldn’t have guessed it came from me. Now it came out with the gesture of a mouse and the click of a button, thoughts on religion and humanity that had an edge you rarely see in my writing.

This art also felt right, felt proper, felt real.I was expressing something within me. Yet when I grasped for the words to say what I was expressing, it was difficult. I didn’t know how to easily describe what was coming out in my digital art experiments.

Then I realized that visual art gave me a way to express ideas and parts of myself that my writing did not. I had an entire different language to express a side of me previously left to feelings, to vague allusions, and over-or-under descriptions. What once took careful and oft failed engineering of words came out in black and white, in filters and shapes.

I had taken up experimenting with art and given part of me a new language to reach peope. I also was far more aware of sides of myself, of feelings, of opinions, now that I had a new way to express them. I knew myself better.

This is why I think it is critical for people to learn an art of any kind – writing, music, drawing, something. Learn to express, learn to create, learn to let yourself out. There are things we need to give voice to in order to both reach people and reach ourselves.

It is also important that we creatives, no matter our chosen method, keep experimenting and broadening. A writer should try art, an artist should try music, a musician writing, and so on. We are always finding out more about ourselves, and each artistic method is a new way for the real us to come out. You don’t have to be professional or even be good, but you should explore, have fun, and see what happens.

Where’s my art going to go? I have no idea and that’s not the point. I’m going to see what happens – and I’m going to get to know who is watching this happen much better. In time, we might get to know them better together.

Steven Savage

The Humanity Of The Lost Jester

(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Serdar and I often inspire each other in our writings.  Recently he wrote about an amazing column by Nan Robinson that inspired him as a child – which led to me reflecting on my own inspirations.

Some of my influenced quite obvious – for instance I outright admit how I was affected by Sir Terry Pratchett and Grant Morrison.  But I want to reflect on one person who’s writing has guided me, and not any science fiction or fantasy writing.  I want to discuss author and humor columnist Dave Barry.

Yes, Mr. Barry has done some fantasy with such things as his Peter Pan based works, but read on.  I take inspiration in his earliest work – humor columns.

Mr. Barry began writing his humorous observational humor between 1981 and 1983, and I encountered him in the mid 1980s.  He mixed wordplay, humor, silliness, and a real humanity to his writing.  From birth to home ownership, strange local events to political frustrations he was accessible, funny, and often on the ball in his observations.  Barry would joke, but his jokes were very real, the humor of relatability.

His  humor style influenced my own – more than I often let out (and there’s a lesson there).  But now let me note as much as his humor inspired me, what really, really got to me, reached me, was when things stopped being funny.

Barry wrote about the death of his father and his decision to keep his last contact simple, because his father should die on his own terms.  He took a trip to Japan, and reflected on Hiroshima, the remembrance ceremonies, and he tried to capture what he as an American felt.  Barry could write about unfunny things, with all the humanity of his humorous efforts.

Much as I find good comedians can be good actors, what made him funny allowed him to be damned serious.

Most of all, I’ll remember his reflections on visiting Graceland, home of Elvis.  It was a column called “Hearts That Are True,” and you can find it in his book Dave Barry Is Not Making This Up (published 1994).  He went to Graceland, met with fans, and figured there would be something fun to write about

You could tell he thought it would be amusing.  Talk to the Elvis camping around the gates, look at the kitchy décor of Graceland, have some fun.  Very quickly, he found there wasn’t anything to laugh over.

He found passionate fans.  People who really loved Elvis.  Fans who mourned his death, sad he died in such an undignified manner.  Folks who had memories of seeing the singer, and good times with their friends.  People who you could tell wish they could have helped.

Barry heard Elvis’ songs everywhere, a reminder he was a pretty damn good singer.  Yeah, he had some lousy albums, but there was a lot of really good stuff – and even some of the bad albums at least had Elvis.  Let me say that a good listen to ‘Burning Love,” a really good listen will remind you why he was the King.

The humor columnist toured Graceland.  Sure, it was overdone and kitschy, but so what?  Elvis didn’t aspire to be some society guy collecting art or putting on pretentions of culture.  He lived and partied with his riches, but his excesses seemed weirdly human – even flying a plane to get that awesome sandwich.

And so you had Dave Barry, brilliant columnist, truly hilarious person, with nothing to laugh about.  He was there in a place of excess and fanatic fandom, exploring a colorful figure like Elvis, and there wasn’t anything funny to say.

The sheer humanity of that column hit me hard, Barry put you in touch with the fans, the feelings.  He also outright admitted there was nothing to laugh at.  If anything the joke was him and his own confidence he could find laughs.

So the humor columnist found the joke was on him.  And he turned it into a column that was one of his best, one that still sticks with me.  It’s a column of such quality I wish I could write something that good.

It’s decades since I encountered Dave Barry, his jokes about lawnmowers and pop-tarts, and I still want to be like him, writing about Elvis.  I still hope I can reach people like he reached me.

Steven Savage

Writing Advice From Non-Writers

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Serdar did a lovely post on non-writing influences on his writing. I decided to do my own – and challenge you to do your own! We ought to share tips (send me your posts).

As for me:

Agile Methodology

(Yes, I post a lot about it, but it’s worth hitting the high points)

  • Success is in what you don’t do. The more you make unnecessary, the more waste you avoid, the better.
  • Value comes first. Know the value of what you’re doing – even if it’s just “it’s fun.” Learn not to do things that have no value.
  • Fail fast and learn.

Movies (especially indies)

  • Persistence pays off. Many amazing movies are the results of willpower.

Role-playing Games

  • Find ways to make “systems” for your writing – outlines, checklists, ways to rank characters, etc. They help you see your work anew.
  • Story and mechanics (what causes what) are inseparable.  


  • Make things modular. Understand how small parts make larger things and how they connect. It also lets you “swap” things around easier.
  • Doing things right on a small level ensures success on the larger level.
  • Prototypes and rough drafts help you evaluate ideas and learn quickly. It’s also better to have something, no matter how flawed, than nothing.

Stage and Television

  • One interesting character with the right dialogue can hold a person’s attention for hours.
  • Budget lets you invest for success, but it can’t replace talent or passion.

Video Games

  • Keep up a sense of immersion at all times. Stepping out of your world should be a choice, not an accident.
  • Lore brings people into a world, but it has to be hands-on and visceral. Lore must matter and connect to deep emotions and experiences.

Steven Savage