The Originality/Unoriginality Barrier: Gradual Evolution.

(Not done writing about originality yet.  Regular poster Serdar noted that my ideas addressing originality suggested that highly original people can and should address using their ideas via gradual evolution, and that gradual evolution of media was an ideal. I want to address that).

I've been writing a lot about originality in media lately.  This is entirely understandable because originality is a big topic in media – in an age of remakes and the shockingly innovative it's going to be something prominent in people's minds.  It's also an important subject because people feel very passionate about it – as I noted there are many psychological/cultural factors to a love of originality.

My conclusions actually were that originality is actually not a prime driver in media consumption – socializabitility is.  People's interests in media were often heavily influenced by what they can share with and enjoy with others.  Originality, in turn, was most important when it helped with that social factor.

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Keeping Originality In Perspective

Last post I explored why people are obsessed with originality to dysfunctional degrees.  I noted that there were factors of individuality, a desire to be industrious, a sense of property, a desire for notoriety, and a focus on making a contribution.  All these factors lead to an emphasis on originality in media work in my opinion.  Let me also note that I think all too often originality gets over emphasized.

Yes, in short I am saying that people and groups and cultures can take an emphasis on originality too far.  That may sound strange, but an obsession with something good does not mean one puts it into practice properly.  I feel fear of unoriginality crushes people's creativity, destroying the very thing they're seeking.

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The Originality Trap: Why We Fear Unoriginality

Last week I noted that originality didn't always sell for entirely understandable reasons.  This reason was the simple fact that humans socialize via their media choices and interests, and originality did not necessarily play into that.  Sometimes originality produced social bonding, sometime common and derived media did, but the originality's importance was not in its existence, but what it meant for social connection.  Originality just is not as vital as we may think for people's choices, nor is not chosing something original a personal failing.

As I examined the issue of originality I began to wonder why so often creative people obsess over originality.  Why do we fear being unoriginal?  Why do we fear ideas we have are derivative?  Why does the fear of unoriginality cripple some (I'm sure we've ll been there or known someone who has been).  It was worth analyzing.

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