writing

A Writer’s Life: Experiments

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr)

Remember my goal to write at least 24K words, probably 30K, this month?  Yeah, still having issues with trying to force myself.  The idea of giving myself space had helped, but I still felt like I was forcing myself.  This caused some analysis that you may find useful.

Why was I still feeling like I was forcing myself?  I didn’t have to go very deep to figure that out.

I felt like I had to do everything right.  Or that I had to get it perfect the first time.  I had the space, but was trying to get it right the first time.

That’s when I had another realization, fueled by my writing, my observations, and my agile practices.  All writing is an experiment.

We’d like to think writing is some kind of precise creation.  Perhaps its that we think of it physically, or that we have a perfect idea of what we’re writing in our head.  But it’s not, it never is.

Writing is an amazingly experimental thing because it’s about communications.  Even if your audience isn’t there, you’re directing your communications to reach them.  In turn, the process of creating cause you to constantly re-evaluate and navigate, from reader feedback to reading your own words from the audience viewpoint.

Writing is experimental thing because it’s so huge.  When you are writing you have infinite options of what to do or how to communicate.  You only discover what works as you write, and writing may reveal unforeseen options.

Writing is experimental because it involves imagination in many cases.  That’s always unpredictable, that’s the point.

So you write something.  Experiment done.  Then you edit it, another experiment, and it evolves.  Then when you’re done, you go to another piece of writing – and that’s an experiment.  It’s experiments all the way down.

Once I realized everything I was doing was an experiment, that I had to explore and play, then I felt better about writing.  The goal of an experiment is to try something and all writing – indeed all arts – are just trying something.  Vast, unpredictable, evolving, channeling our imagination – and that’s why they’re so powerful.

My friend Serdar, a consummate experimenter, never even writes in the same setting, to keep himself going.  I never quite got why he might want to do that (which is not my cup of tea), until realized writing is an experiment.  The more you have, the more that push you, the more you grow.

Me, I like to play in the same settings, but I do explore elsewhere.  That’s how you keep growing.

So, onward to my goal of writing more.  Because I give myself space, because it’s an experiment, I feel a lot freer now.

 

– Steve

A Writer’s Life: Space

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr)

This month I’m trying to write at least 24,000 words, preferably 30,000.  This isn’t due to any NaNoWriMo thing, it’s a personal challenge to up my productivity.  In setting this goal, I ran into a problem.

I’d set aside time to write, but it felt constrained.  A punishment, a forced duty.

Yet when I’d get writing, I’d often enjoy it.  I find that even when you don’t want to write, doing it for five minutes usually unblocks you.  Besides, even if you hate it, you’re going to edit it later, so might as well enjoy half-baked crap as you make it.

At this point I knew my “ugh, time to write” reaction was irrational.  So I set about thinking of how I could “re-imagine” that writing time to make me see it in a positive light.  Not so much tricking myself, but more how to take a better attitude.

At the same time, I was also discussing the concept of “Pull” in Kanban, and Agile methodology.  So you can guess this is another one of my Agile/Writing posts.

Anyway, the idea in Kanban is you only work on something when you have space to do it – then you “Pull.”  It’s the opposite of “Pushing” work.  If you’re blocked up, you don’t Pull in new work, you focus on getting things moving.  If you can’t get anything moving because of other people, go do something else like take a class or get a coffee once you’re done yelling at them

It sounds weird, but then you realize that Kanban gives you “space” to work.  “Space” to take tasks on when you’re ready.  It’s very much like my earlier thoughts on the subject.

That’s when I realized that setting aside writing time was not making myself write – it was setting aside Space to write.  That 30 minutes or 60 minutes where I’m clear to write.

This changed my mindset (for the most part).  It felt less constrained, less forced, less trapped.  Sometimes it even felt amazing – “a whole hour to write, wow!”  Oh sure I still get those moments of feeling I’m forcing myself, but they’re diminished – and I can rethink that time as “space” and reduce the feelings.

Let’s see if this gets even better over time, but it’s certainly helped already.

– Steve

A Writer’s Life: Cover Me III – Electric Fantasy

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr)

Remember how I was practicing making book covers? How I was posting them on tumblr and elsewhere?

I got my first “professional” assignment.

Now this isn’t professional in the paid way, but in the “on an actual book someone publishes” way. I’m helping out an ambitious co-worker with a love of pulp SF to put out his e-book. I of course volunteered to do the cover. He gets it for free, I get practice, and it probably won’t suck.

This turns out to have been a bit stressful. You never quite appreciate your talents, or question them, until you’re doing something for someone else.  Kinda in the “questioning” stage right now.

At the same time, this is also fantastic for learning.

I realized first and foremost that the book covers I was making were suffering a bit because I knew they were basically practice. I didn’t polish them, I didn’t tweak them, I didn’t revise them as much because it was “just practice.” There’s all sorts of things you don’t do in practice that you do when it’s real.

It’s real because I’m not gonna give this guy some crap. He’s my co-worker, he’s a fellow writer, he’s a good guy – I’m not going to let him down.

This means that now I’m pushing myself even farther. Exploring techniques. Considering layout precision. Learning all the things I wouldn’t learn when I just do a one-off bit of practice.

There’s a few takeaways from this that are good for you artists and writers.

  1. First, practice is good. Don’t get me wrong, it got me here. In fact practice is needed to get good enough.
  2. “Projects” work for learning skills. My practice projects gave me a hell of a lot of experience.
  3. Doing something “for real” exposes you to all sorts of things you may not get in practice – details, feedback, market issues, etc.
  4. Doing something for someone is a great motivator.

Let’s see how this book cover goes. I’ve got one mockup and a vision in my head that, hopefully, I can bring into reality. I’m sure I have plenty more to learn – but everything I learn here can help me and others later . . .

– Steve