Why I Wrote It: Way With Worlds 1 and 2

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

Way With Worlds, both the core books and the minibooks, have their origins in the murky early days of the internet.

We’re going back to fanfiction.net and sffworld.com and the rest. Strap into the Wayback machine.

So way, way early in the internet days, I think maybe 2000 or something, I became aware of the sheer talent in fandom. The internet jacked everything up to 11 and you just saw so much power, especially for writers. Fanfiction, original fiction, AUs, all of it was exploding across the internet (as well as freaking out some company’s legal offices).

Now I’d always been big on Worldbuilding from my ‘zine and RPG days. I love making a good setting and was developing original works myself. I’d also been on one major shared-universe project as an editor, and that taught me a lot about setting creation. Seeing so many people creating made me think I should share some advice.

So Way With Worlds started on Fanfiction.net. Then it spread to sffworld.com. And I wrote.

And kept writing.

And kept writing.

Even when I stopped, I posted the old works up at www.SeventhSanctum.com, my generator website. I would get emails about it now and then, over the years.

I can’t say they were the best written thing. Some were great. Some were just rants in organized forms. But they did reach a lot of people, and that was important; my goal was to empower people.

But if they weren’t the best written, they obviously reached people. Still, one learns over time, and if people still wrote me about Way With Worlds why not improve it . . .

Thus I set forth a project to rewrite Way With Worlds, I think around 2014. I would improve and expand upon them, and update them for modern times where more and more people were self-publishing. As I recall, it took at least a year to do – and it gave me even more feedback from my readers.

That feedback also included memories and thanks from previous readers. That’s when I realized there was one more step – people should be able to get my columns in an even more refined form – books.

I was literally thinking about rewriting and rewrite to put it in another form. That seemed weird to me, but then I realized this made a lot of sense. A book is easy for some people to read as opposed to a bunch of blog posts. A book is a way to present select columns and expand on them. A book also let me update all the stuff I learned in an update.

Thus I rewrote the rewrite and turned it into two books. This was educational.

Remember how I said a book presented data differently and gave you options? Yeah, its a totally different mindset. I had to ask how columns were associated with each other. I had to ask how they did and didn’t work together. A book is curated and I had to curate my own work into a more formal format.

I gained a lot more respect for people who blog-then-book. I could see how it helped, but also required transforming works in different ways.

Thus in 2016 the first book came out, where I expounded on my basic philosophy. Book 1 is a fun, tight, interesting read that helps people adapt a mindset appropriate to worldbuilding. In retrospective, it was a bit like the way Agile discusses both Philosophy and Method.

But there were also tons of columns left over! Good ones! So I created Book 2 to round up deep dives on certain subjects (not as specific as others, hang in there). They paired nicely – core philosophy, then deep dives on important subjects. It was a great two-book series.

On top of that, I had killer book covers, great editors, and they were quality product. They really were a different animal than the columns, and I felt like I’d evolved my work to a final state. I guess it was sort of Pokemon of writing.

But it wasn’t over yet.

Some years before I did Fan To Pro I’d kicked around ideas about writing career guides that coached people with friendly questions – kind of like sitting in a coffee shop with me. I came up with the idea to do this for Worldbuilding subjects, especially ones that were important to me. I would use them as fun tie-ins to the core books.

They took off like crazy. People loved the idea of personal, coaching, deep looks at specific subjects. I also enjoyed writing them, so . . . now I write one every few months. People keep reading them.

So that’s how it began. Early internet posts re-evolved to modern times. Modern rewrites evolved into books. These books inspired simple tie-ins that became their own thing.

Everything evolved, often surprisingly. It was also totally worth it.

So what lessons are there for you:

  • Feedback matters. Give it to inspire and direct people. Take it to remember your work matters to people – and it can be better.
  • It’s worth updating old posts if they help people. You evolve and change, people do, so update your best advice to be better.
  • Blog-to-book or columns-to-book is very legitimate (and has been done for decades). It also gives you options and direction that blog-style writing doesn’t. Converting something to a book makes you think.
  • Experiment with your writing, including things you publish. It gives you feedback, and you may find paths you never expected.
  • You never know 100% what’s going to happen. So be open to new ideas.

So that’s the story. Will I ever re-re-rewrite them? Probably not. I might update the core books with some tweaks, or polish or correct some things in the minibooks, but they’re pretty stable. Of course they’re stable because I learned so much from rewriting . . .

Steven Savage

Make It So: Cataloging Writing Places

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

This is an idea that struck me recently, an idea I liked enough to want to write it down and share it before doing it

I’m part of several writing groups and have a lot of creative friends. Often we meet for discussions.

One thing that comes up in our discussions is “we really should meet and write together.”

Then there’s the question of where. We’re in a dense urban area, which means may possible coffee houses and such to write at. We’re also in an area where the coffee houses and other writing spots get crowded because, hey, it’s a dense urban area.

I’d taken to trying out a new spot each week, and then an idea struck me. It’s an idea I’d like to try for myself, but wanted to share it with all you creatives. It’s about finding good writing spots, but also being social (and if you aren’t feeling social, you can sorta reduce that part).

It works like this.

ONE: Have your writing group come up with a list of places you might write. Yes, most will be coffee shops, because they’re basically coworking spaces where you pay by drinking coffee and eating pastries.

TWO: When a member goes out to write or draw or whatever, they select a space out of the list no one has tried yet. They let everyone know so they’re welcome to join them.

THREE: Everyone goes to said place and writes/draws or whatever. If it’s terrible or bad, feel free to move to another area of course.

FOUR: The person who started the meeting and/or the people who attended write up their experience and share it with the group. You could even keep a public blog to share with everyone in your geographic area.

FIVE: Keep an updated and ranked list of the various locations so people can go to good ones – or find new ones.

Sure it’s a simple idea. But there are various benefits:

  • First, you have a neat social thing to do with your creative groups, but one where there’s not pressure to be overly social.
  • Second, you find cool places to be creative.
  • Third, you support good local businesses.
  • Fourth, you find where not to go and avoid wasting time.
  • Fifth you might have a cool writing thing to do keeping a blog, a review, section, etc.

I hope to try something like this with my groups in the next six months or so. But give it a try yourself (especially if I get too busy to try it).

Steven Savage

Find Your Block

(This column is posted at www.StevenSavage.com and Steve’s Tumblr.  Find out more at my newsletter.)

As I’ve spoken of before, it’s a good idea to make space for your creative works. Setting aside blocks of time for your work over trying to plan every hour is really beneficial. Having elaborate plans makes most of us feel pressure, having space to work feels like freedom.

However, as I’ve talked to creative types, I’ve found something else: we each have different “ideal” sizes of blocks and how to arrange them.

My idea block of creative time seems to be at least an hour, preferably more. It probably tops out at about two to four hours when I need a break.

On the other hand, I met a person who sets aside entire weekends to write and can churn out over 50,000 words over two days.

Why is this important?

First, finding your ideal creative “block time” means you can work out your schedule so you have time to create. It could be an hour at a time, so you can arrange many different efforts into an evening. It could be you need big blocks of time, so you pick a weekend day to do creative works.

Secondly, finding your ideal creative “block time” removes pressure on yourself. We creatives are constantly hearing how we should create, but finding how we create makes it ours. We may be able to use all that creative advice, but in our way.

Third, simply, you learn a lot about how you work. Finding the ideal timeframe for you to create lets you learn why. Other insights will probably follow.

So ask yourself – what is your ideal block of time to set aside for creative works? You might be surprised where that question goes . . .

Steven Savage