You’re Already Dead Which Is Why You’re Alive

My friend Serdar chews over the issue of coping with death and that some people discuss death as a “change of form” for the sake of comfort.  That’s something I’ve considered, much as he does, from the various Buddhist points of view.

As Pynchon notes, we’re made to be immortal and we die, it’s really kind of strange to us.  We can vaguely conceive of a forever we don’t get, and face the inevitables on the road of life: old age, sickness, and death.  It’s in our media, from Walter White discovering nothing is permanent to a young Bruce Wayne facing the brutality of death.  I think we’re weirdly fascinated by death because of the icky, sticky, inevitable quality.

In many Buddhist teachings, from which I’ve learned much, one may be further stymied by both talk of reincarnation and of the fact there is no permanent self, of the importance of morality in an ever changing world.  What seems to be paradox in one way, I think, is a a sign that we’re happy by reconciling things – the Middle Path, as it were.

We’re going to die.  It’s inevitable.  We know it early on and we fight it until our dying day.  Everything dies – and we know this.

At the same time, we change.  We’re always dying.  The child you were twenty years ago is as gone as you will be when you’re put in the grave.  Death is just The Big Change on top of a life of change.

When we look at that change that’s always happening, we find we’re really fuzzy around the edges.  Where “I” begin and end, who “I” am isn’t that well defined.  Defined enough to discuss and to be, but still a bit fuzzy.

We’re aware of how we became the way we are, and vaguely aware of how our actions have repercussions – in short, how they live on after us. We’re not some little man holed up in a castle in our heads – everything, everything we do has an effect.  The term “Projected Karma” – that which forms – seems quite an apt term for it.

We’re always changing and always making changes yet have this sense of “I”.  We’re incredible fragile and yet we can have huge repercussions with a single action.

I find that the more we look into the fact we are impermanent creatures who are always leaving their mark on the world, one can find a peaceful reconciliation in our own humanity.  We don’t have to take ourselves so seriously, and in turn we can live our lives because what we have now is valuable; with our barriers down we can also find our social instincts to be more satisfying and find some sanity among people.  We also can take responsibility for our actions, live consciously, knowing that we’re choosing the results to come from what we do.  We can really live, even if we don’t like all of what’s going on and how it’s going to end.

Contemplating our own, inevitable death is troublesome and raises many paradoxes – but exploring paradoxes helps us resolve them.

– Steven Savage

Steven Savage is a Geek 2.0 writer, speaker, blogger, and job coach.  He blogs on careers at http://www.musehack.com/, publishes books on career and culture at http://www.informotron.com/, and does a site of creative tools at http://www.seventhsanctum.com/. He can be reached at https://www.stevensavage.com/.

 

50 Shades Of Resume #25: The Board Game

Resume 25

A few years ago Kristian Walsh created a resume that made a game out of his career – literally. Based on the game of life, she charted his life, skills, and accomplishments as a board game that looks a wee bit familiar to all of us that remember those classics.

But Kristain isn’t conspiring to make some of us feel old (that happens automatically), this is a resume that uses a far different metaphor than the standard resume – which in a way is another metaphor. It’s interpreting the CV history as something different.

To boot, he even has a video version available.

Now in analyzing such a unique resume, one faces the challenge in that it “is what it is.” But there’s a lot we can learn

  • First, this is a clever use of one thing to portray another. That already speaks volumes to a reviewer because it uses an unexpected metaphor – and shows Kristain is capable of thinking outside the box (and into the game box).
  • It’s actually a timeline resume, and as you “play along” you can see his history. This is a more detailed and personal history than the usual resume, and thus adds a more intimate feel.
  • The resume also calls out skills as they are learned, giving some sense of skills.
  • The relevant skills and history are also summarized on the right side of the page, a smart idea given how unusual this is.
  • Major milestones are called out in the “life-flow” which adds a further sense of what’s going on.
  • Notice how the “life-flow” takes you to the contact information and the final summary.

It’s actually hard to find issues with the resume as it’s really a success – a complete take of one metaphor and moving it into the other. A few things:

  • I’d use different colors for the board titles. Maybe code them to show “learned a skill”, “achievement,” etc. It breaks things up and communicates more.
  • The contact info is just there as usual text. That’s dull, and should be offset, a different style, or made to look like something else (Manufacturers contact information?).

Really, though, its hard to find much negative here. It’s just a clever piece of work. Opens me up to wondering what other metaphors we can use for our job histories . . .

Steve’s Summary: I’d love to see a resume like this come across my desk. Not only does it break up the monotony, it’s witty and makes me think – and tells me the person can rethink things and re-intepret them. Adaptability and imagination are powerful traits . . .

[“50 Shades of Resume” is an analysis of various interesting resumes to celebrate the launch of the second edition of my book “Fan To Pro” and to give our readers inspiration for their own unique creations.]

– Steven Savage

50 Shades Of Resume #24: The Colorful Standard

Resume 24

Peter Hrinko gives us a colorful resume that looks almost like some product packaging. The shaded pictures, the gradient text, the unified color scheme all look like there’s some kind of product here. You’d almost wonder if “Peter Hrinko” is a new graphics card or a band.

Yet what it really is is a colorful version of a standard resume. Peter’s jazzed up the usual resume while keeping it standard. There’s actually quite a few lessons here about making a resume interesting without breaking form:

  • The use of the inverted color scheme, of dark background and light text (which I covered earlier) is compelling – and he expands on this by using light colored text of different colors. It’s interesting and it stands out, without being distracting.
  • The large title is actually effective – and it sets the stage for using different-colored headers (below).
  • Putting the Objective as a quote is a smart, personalizing touch.
  • He uses different font sizes and colors to emphasize specific sections and areas. That makes them stand out – and note how he cleverly uses multicolor/multi-format headers to make each title have the core word stand out – like “Experience” or “info” This is part of a consistent theme.
  • The use of darker-colored dividers makes the divisions more subtle, and focuses on the brighter-colored words.
  • Using a two-column model for his education, work experience, awards, and skills is a bold touch, and a good space-saver.
  • He incorporates icons into the resume on top of everything else, adding visual richness, drawing the eye, and showing knowledge.
  • He uses a picture of himself – but it’s a less personal one, it’s him at work. It keeps the personal element, but also adds a sense of the serious.
  • The picture in the right side is a nice break from “usual resume” look, and along with his photo, breaks up the entire resume.
  • He does a lot on one page.

There’s also very little I’d change, but . . .

  • As usual I think skills should go earlier. In this case he also mixes them in with the experience/education/honors column which is a bit confusing. Me might want to move the skills and program knowledge into their own parallel columns.
  • The “About Me” text is a bit too flush with the picture. Actually, it might go good lower so the picture stands out, or may not be needed.
  • I’d like to see more work experience, but that might not be possible and still keep it on one page.

As I analyze resumes I’m seeing more “multicolumn” models and changes to standard color schemes. I think these are areas we can really explore as resume-makers.

Steve’s Summary: Hand me this resume and I get a very positive impression. Here’s a solid, professional resume that shows his skills as well as his history, communicating them well – and communication is what a resume is about in the end.

[“50 Shades of Resume” is an analysis of various interesting resumes to celebrate the launch of the second edition of my book “Fan To Pro” and to give our readers inspiration for their own unique creations.]

– Steven Savage