Writing

A Writer’s View: Big Damn Rocks

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr)

I’ve decided to start blogging my writing findings as I work on my first public fiction novel in ages, “A Bridge To The Quiet Planet.”  Returning to fiction was a bit tough – which surprised me.  I’ve written a lot of stuff over the last 40 years, but not much fiction the last 10 – but I figured all my editing, consulting, short stories, other works, and generator-development would mean I could dive back in.  Boy I was wrong.a

One problem that struck me is what I call “Big Rocks.”  My guess is you suffer from these too.

Ever have an idea, scene, or concept in a story that seems to just resist any change?  Something that seemed unavoidable no matter how much the plot or characters or scenes changed?  A Big Rock in your story is this immovable, immutable, thing that weighs your story down – and you just can’t seem to get rid of it.  Yet at the same time it restricts your ideas and dreams because you just can’t get rid of that Big Rock – it’s part of the story!

Wrong.

I found a huge, huge problem in working on my new novel is that I’d have these great ideas that I’d never get rid of or change as I’d become dedicated to them – meanwhile the story, characters, and setting had evolved beyond them.  I had all these Big Rocks I just wasn’t willing to get rid of, yet all my other great ideas kept running into them.

The solution was to ditch them.  If you have an idea that squashes all your other ideas, this dense ball that distorts the story like a weight on a rubber sheet, that idea is the problem no matter how great it is.

Art is a dialogue, a give-take, a cycle.  Something that stops that cycle by interrupting you constantly is not good.  You’re better off without it and you don’t need it.

We don’t need to cling to our Big Rocks, those giant ideas that limit us.  We need to keep the process of imagination going.  The Big Rocks are best broken down or walked away from – we may find we can make something better from their fragments or return to them with new insights.  Appreciate them, move on, and see what happens next.

– Steve

A Writer’s View: A May Roundup

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(This column is posted at www.StevenSavage.com and Steve’s Tumblr)

I figure with all the writing I do and have planned, it’d be fun, educational, and good experience to reguarly share my findings on writing.  So . . . I am.  Probably about once a week or so I’ll spew forth the latest seltzer water of wisdom I happen to have handy.

Right now most of these insights come from my first public fiction project, “A Bridge To The Quiet Planet.”  I’ve written fiction a lot before, have edited, have consulted, but figured it was time to return to fiction in style – with a novel.  Short summary: science fiction/fantasy fusion combination of road-trip and religious pilgrimage goes dreadfully wrong.

So the insights to share for May – any one of these might become a later column.

  • Agile works really well for writing – the mindset and the methods.
  • Writing is about loops, finding cycles and patterns in your story.  Because of this plotting one idea may lead to changes, expansions, or new ideas.
  • Never assume anything in your story is “true” until it’s written – discovery is part of the process.
  • Look for Congruence – when things “feel” right.  You want this on all levels of your work, and before you move on from one thing (say from a character idea to a character outline) make sure things “feel” right.
  • Your inner voice is probably right.  The voice that comes after that voice and points out all its flaws is probably less reliable.
  • When plotting, your story may become “timey-wimey” – ideas later on may influence earlier sections.  That’s fine.
  • Characters are the true measure of your world and writing – knowing them means you know your world and story.
  • Characters are a great way to discover your world – designing them makes you ask specific questions you may have missed.
  • Think of your audience – keep them in mind in your writing, what you say, what you deliver.
  • Enthusiasm beats self-loathing for a writer every time. Better to succeed by creating better than tearing down.
  • Beware “Big Rock” ideas that you’re so committed too they drag the story and other ideas down.
  • Don’t “commit” too early to ideas, concepts, or scenes.
  • A small change may quickly scale up and affect your story.
  • Give yourself a place to record ideas without commuting to them.
  • Start over as early as possible so you don’t have to later.  My restarting the plotting cost me 4-6 weeks, but I can’t imagine what’d have cost me if I’d rammed through with my lame initial plot.

Hope these give you something to think about!
– Steve

Steve’s Agile Life: Writing Time

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(This column is posted at www.StevenSavage.com, and Steve’s Tumblr)

As I write about my “Agile Life” experiment (where I use the Agile techniques in  Scrum) I hope to get others to think about time management.  Looks like my friend Serdar over at Genji press got himself a thinking about time management.

He gets into his own blogging, how he has to carve out time, and how his cadence for projects differs based on the kind of said projects.  It’s a great insight into what he as a blogger does – but also he talks about his way of blocking out work.

As a great deal of his work is writing, he blocks out a time to write each day, setting a minimum time.  If he’s not up for one thing, he’s up for another.  That’s a smart writing technique, and I wanted to note where something like this can fit into the Agile mindset.

  • First of all, he notes that he sets aside time to write, but doesn’t necessarily choose what he writes until he sits down.  This is a great idea on two counts – he has a block of time, and can make the call as to what’s needed at the time.
  • Secondly, if you use this technique, why not consider breaking your writing work down into hour increments and tasks?  That way if you set aside an hour, you can use it to measure progress on projects.  Also, great practice for work breakdowns.
  • Third, this gets you into the habit of practice.  With writing and certain other creative skills, many people respond well to regularity to both accomplish work and hone skills.  Why not make that Agile, with regular writing, broken down so you can slot it into your writing time?
  • Fourth, this removes roadblocks, which is a big part of why we use Agile techniques (as I heard it put once, the prime focus of any Agile method is to find what’s blocking you).  By having this general time you can go around other writing blockages – but by having a set time to write you keep up the regular work you need.

What’s funny for me is I’ve tried both techniques and tend to lean towards not writing each day.  I tend to like task-based writing, to accomplish “x” goal, be it 30 minutes or 2 hours of writing.  But it’s all about finding what works for you.

(Then there’s people asking if they need a definition of “Ready.  Let’s not get into that.)

– Steve