writing

Just Get It Out There

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Are you a writer? Good, get your work out there in the world, even if you have to change it up later.

The world is on fire, history is being made, and we’d like it to stop, thanks. Get your book or zine or whatever get out there now so people can experience it. You’ll figure out how to do better later if you need to.

I came to this conclusion while debating putting out print versions of my worldbuilding minibooks. These small guides to specific worldbuilding questions are maybe 55-75 pages in print, the kind of thing that is usually just an ebook. However, since I could see people gifting these, taking notes in them, etc. I started exploring how to put them into print.

That wasn’t as easy as I thought.

I could do them through Amazon, which has a great POD setup that parallels their easy Kindle system. But I could do IngramSpark and get them into bookstores (though It’d cost me). I then began debating my choices . . .

Suddenly I remembered Zine culture and its rapid, DIY aesthetic. Zine-makers often aim to get things out, sometimes against the odds. Putting something into a usable form makes it more likely it gets used, and Zine culture emphasized getting stuff to people.

Then looking at the state of the world, I realized that if I wanted to get my work into people’s hands in print, I should just do it. I didn’t know what the future held, but I knew what would let me get my work out in print before too much future happened.

So I decided to go to Amazon. Any other debate aside, it would let me do it faster and with a system I knew. I could always change up later.

I implore you, as a fellow writer, to get your work out there in whatever reasonable way you can. Maybe it will just be an ebook; perhaps you’ll decide to go with IngramSpark and pay the fees to get to bookstores, or maybe it’ll be self-printed. Just do it before you don’t have the chance to.

Hell,  getting your work out there in these crazy times might make the times less crazy. I’m not saying ramming your book out through Draft2Digital will save the world, but you might save it for some people. It’s far better than whatever you’ve written sitting there unappreciated and unread.

Steven Savage

Writing With Friends, Friends With Writing

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

Serdar’s latest article on feedback investigated why we need feedback to know we’re not going wrong. Positive feedback has its limits, after all.

That article got me thinking about feedback from my fellow writers and socializing with my fellow writers. These are things that I others value, but I’ve come to realize that you don’t always get them from the same people.

It’s essential to have feedback from fellow writers because they’re fellow writers. There are some things only a fellow writer can provide, such as the best tools or personal stories. Even your fans can’t give that kind of feedback.

But we also want to socialize with fellow writers. We want people to get us and share our triumphs and complaints. Writers want to connect with each other – just like anyone else. Forget feedback – can I just hang out with someone who sort of understands.

These things don’t always come from the same people, which is a difference I’ve struggled to deal with. COVID isolation has only made it worse, cramming all my writing relationships into a few social media apps.

Sure, I want feedback from my fellow writers, but the ability to learn from each other may not mean you’re friends. You may not have enough similarities, be too busy, etc..  You may find some writing relationships only work in the professional sense.

But as for being friends with fellow writers, that’s a whole different sphere. Your friendship may be built – or grow around – things unrelated to writing. You may find you enjoy hanging out and don’t want to drag writing into it. Friendship is different than professional relationships.

As I navigated COVID and our current “not quite a disaster but damn” phase of COVID, I and others are trying to build and rebuild relationships. I find myself craving feedback and friendship with fellow writers, something they often share. We’re constantly trying to sort out what we’re looking for or what function a writer’s group serves.

We writers might need to pause and what relationships we’re looking for – and how current relationships work. We might have more than we know, less than we wanted, or find we’re confused about relationships.

But at least we’ll know.

Steven Savage

A Schedule Isn’t A Personality

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(This column is posted at www.StevenSavage.com, Steve’s Tumblr, and Pillowfort.  Find out more at my newsletter, and all my social media at my linktr.ee)

.My next book, “Think Agile, Write Better,” is about changing how we writers think about work.  There are many writing systems out there (even Agile ones), but they don’t always change your mindset.  Ticking off check boxes and statuses doesn’t mean you grow.

While outlining the book, my mind turned to the subject of schedules.  Many writers have schedules – and folks like me make them professionally.  But as an Agilist, I know sometimes schedules don’t work, and we cling to them anyway.  Suddenly the words “A Schedule Isn’t a Personality” leapt into my mind, and then into this blog post.

Why do some of we writers get so obsessed with schedules?  Why does it become part of us even when it doesn’t work or drives us crazy, becoming some kind of graven image of times and events?  Why do we obsess about schedules to our detriment?

First, I think schedules give a sense of control.  We have an idea of what to do, when to do it, and what will happen.  This ignores the unpredictable nature of creativity, life, and the world (especially as of late).  The control is often an addictive illusion.

Secondly, I think schedules are things we expect.  Everyone else has a plan.  We have schedules at work and at home.  They’re supposed to be there, right?  So we create them even if they don’t need to exist (or be that tight).

Third, I think we want a schedule due to social pressure.  Some authors have tight release dates and schedules, so shouldn’t we?  Someone else expressed a plan, and we feel we should have one too.  We’re not authors if we don’t do this, right?  We ignore that every creator is different.

Fourth, we do it as we were taught to do so.  We’re following some writing system we adopted, or because our parents influenced us.  Scheduling can become a habit (trust me, I know) even if it serves nothing.

We make schedules for many reasons, but not out of some deep motivation, need or reason.  This is why so many self-created schedules can be frustrating because we think they’re important but don’t care about them.  I’m all for scheduling, but not a schedule as self-abuse.

So don’t let a schedule overtake you.  Make one because you really want to and for your own reasons.  Even me, the Project Manager, know there’s times not to make them.

Steven Savage