The Two Creative Revolutions: One Continues

We’re experiencing a creative revolution. Self-publishing technology, POD, and word processors lets one make a novel or comic alone (though hopefully one is social enough to get an editor). A lone game designer or a small crew can make a quality game with common libraries and engines. CGI allows a film like “Manborg” to be made cheaply and efficiently.

This does not mean this explosion of work is one of quality, but it is historically noteworthy. The power to get creative work out and available is accessible by a much wider audience than in the past. To judge by the wok out there, many people are willing to take advantage of this power.

Again, we may complain about a lack of quality, but we’re not lacking for quantity, even if we may wish we were.

We have a revolution in creativity-empowering tools, but that’s not the only revolution. There’s another change that’s gone on, eclipsed by the tools. This shadow revolution, this parallel change, is the idea that all of us can be authors and coders and artists.

There’s been a revolution in our narratives about ourselves.

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Further Elder Geek Thoughts: Maturity

Last column I explored how conventions were a place where the silly and the serious, the fun and the professional, combined. It was where you could cut loose – and then the inspiration could be channeled. It was where panels fanning over Sleepy Hollow* are then followed by workshops on writing. Conventions are a liminal space.

Serdar, my multitalented friend, noted in response that for many people, when they become a so-called adult, they often limit what they consider the fun they can have. Conventions are spaces where we can actually just like what we like, and are thus valued. Well, like what we like with the occasional stupid argument, but still.

That got me thinking about media and what is considered “age-appropriate materials” – and how such ideas are actually rather irrelevant, misguided, and confusing.

Because when we talk about what media is mature or not, suitable for adults or kids, it’s often meaningless. It’s assumptions without substance.

Assuming we have a grasp on what is “truly mature media” really is a bit immature . . .

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Leonard Nimoy, Pop Culture

Leonard Nimoy passed away February 27th, 2015.

You could watch the world react on the internet, in posts, on Twitter, on Facebook. You could feel the pain, the loss, the appreciation, the respect. The impact of his life was on display in the impact of his passing on people.

I spent hours almost crying, starting and stopping.

Nimoy was a fascinating person. Actor, director, photographer, poet, artist, and all around decent person. He’s remembered, of course, for his portrayal of Spock, the man who made the human alien and the alien human, but he was a man of great depths.

“The internet’s grandfather” as I heard i put several times.

But in the end, Spock.

Spock the geek icon before we had a word for it. The unexpected sex symbol of Star Trek, to judge by man tweets I’ve seen and conversations I had. Spock the half-alien, bridge between worlds, part of neither, yet an observer with clever insights.

He’s a reminder. Pop culture is important. It matters. He mattered.

Pop Culture Maters

Pop culture matters. Star Trek didn’t just break ethnic and racial boundaries, even if carefully or half-heartedly at times, it also presented different heroes. Sure there was Kirk, the smart but cocky guy. There was Bones, the emotional and dedicated doctor. Scotty had a passion for machines that bordered on romantic.

Spock gave us the idea of intellectual hero; second in command (and in a few cases it seemed the power behind the chair), scientist, philosopher, and warrior when needed. The nuance of his halfbreed character was powerful and deep.

You could see the internet mourn, and read stories of people inspired by this character.

And all this came from a show that lasted three seasons that many would have written off. A show that had ambition, but probably seemed silly to many when it began.

Nimoy mattered. Because Spock mattered. Because pop culture can touch us like anything else and make us better people.

The Galaxy Quest Phenomena

The movie Galaxy Quest embodied this importance better than anything else. If you haven’t seen it, essentially the cast of a Trek-like show discovers they inspired an entire alien civilization. At first it seems ridiculous, but then at time you realize how much this inspiration matters to people in the real world.

Found a whole civilization on Star Trek? How many of our dreams of space travel and a better world come from Trek, or related and similar tales. How many ideas have to be dreamed up before they become real?

Sure I’m not going to lionize much of pop culture. It’s often shallow, disposable, pandering, or stupid. Now admittedly there’s a time for those things, but it’s not often deep, and at times is deliberately shallow.

Of course, how may classics of the past were seen as throwaways or just done to make a quick buck? Classic may be pop culture once we’ve had a time out.

Pop culture, that weird, shallow, strange, casual thing also seems to spawn greatness. Maybe it’s because there’s so much of it, or because freed of the constraints of what we think is good, we sometimes make the great. Or maybe it’s just the monkeys and typewriters things.

And because pop culture is popular, broad, wide, it’s something we can all share. It’s something we can relate to. It’s something we can use, be inspired by, and communicate with. All flaws aside, it has its use.

Tell anyone fifty years ago that the world would mourn an actor who played a half-human alien on a TV series with a questionable future in the 60’s and they probably wouldn’t believe it.

Pop culture’s power is often . . . “well, you never know.”

It matters.

Taking It Seriously The Right Way

In the end, pop culture is something I think we treat with extremes. Heated rivalries and outright personal wars over games and shows. Brushing off attempts to explore real issues. Writing off talented people as one-shots. Creating elaborate plans that remove the soul of the property.

But when I saw the reaction to Leonard Nimoy passing, the power he had, it reminded me that Pop culture, like anything else is a tool. Use it right, it’s powerful.

It is broad and accessible.

It often lacks pretension to greatness which removes pressure.

It has churn, so greatness may arise.

It lets people make money, even if crazy budgets are worrying me.

I’m all for great literature and serious in-depth works. I want more of it. But let’s remember what pop culture can do.

That way when we create it, we create it with eyes open,to maximize what is good.

That way when we consume it we approach it appropriately.

That way we can have fun and think deeply – often at the same time. Trust me, I’ve been inspired by utter crap.

Let’s remember what Trek did, what Spock meant, what Leonard achieved. Every tear is a reminder of what pop culture can do.

Even now in his passing, I’m learning something from him. And as I type this I’m holding back tears.

 
Respectfully,

– Steven Savage
http://www.musehack.com/
http://www.informotron.com/
http://www.seventhsanctum.com/