Netflix Is Going to Do Documentaries, Comedy Specials

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Sounds like they have plans and are building on their success – and others.

I’m not really into “Arrested Development” (funny, but just didn’t get into it) or “House of Cards” (also a lot of talent, but not my thing) but they sound pretty good.  So Netflix branching out is a good idea for them.

However, I’d note one thing – they’re really moving into being a kind of, well, channel.  Part HBO, part Amazon. That’s going to get very interesting, and I wonder who will see them as competition – and as an ally.

I also wonder if Netflix is going to try and cultivate indie talent.  That could work out well – especially as we watch what appear to be the first phases of the predicted Hollywood meltdown.

– Steven

“Turbo” Isn’t Doing So Hot. Insert Your Own “Slow” Joke Here.

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Adjusted for inflation?  Worst Dreamworks opening ever.

I think there’s several factors here:

  1. The general movie meltdown occurring.
  2. It’s a new property that  . . . is about snails.  
  3. It’s also competing against animated sequels to well-loved properties – Despicable Me 2 and Monsters University.  I can also say that DM2 is excellent and deserves it’s praise.
  4. I can’t say the marketing campaign seemed effective (after seeing Pacific Rim‘s dismal campaign I wonder if this another Hollywood Problem).

But another sounds-sure/sounds-big property doing so hot.  I feel kind of bad for Ryan Reynolds, who just cannot catch a break here.

– Steven

 

How To Create a BAD Crime Fiction Series With Jackie Speel

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(In the grand tradition ofJohn Van Sickle’s Grand list of Overused Science Fiction Clichés, the Grand list of SF clichés, Things I learnt at the Movies, and Not So Grand Cliché List, Jackie Speel is here to make her own contributions to literature – and what not to do – at MuseHack)

This is an attempt to create a list of clichés and tropes to be avoided in crime fiction, whether written or onscreen. As with other such lists it is the way in which the cliché is handled that is the key factor. Even middling to good series are likely to have the occasional episode which ‘ticks several of the boxes.’

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